運用夏荊山先生〈荊山箴言〉之墨寶中「神」、「藝」、「空」三字劃分出視覺空間之美，融合〈文殊菩薩〉、〈竹鶴觀音〉、〈達摩祖師〉，象徵一筆一世界，一畫一菩提，筆墨起落間即是禪藝的畫中畫，感性充滿生命力之墨筆畫與理性代表不變之「道」的幾何線條，於其中尋求更廣闊與深透的人生哲理。

Using the calligraphy of the Chinese character "God", "Art" and "Empitness" to create a beauty visual space, integrate with the painting "Manjusri Bodhisattva", "Bamboo Crane Guanyin" and "Dharma Patriarch" to symbolize a world in a stroke, a Buddha in a brushstroke, each stroke is like a painting, the power and the rationality in it seek a broader and deeper life philosophy.